After it’s exploding popularity this past holiday season, “The Imperial March” has officially hit 2 million plays on Spotify!
Purchase/ Stream “The Imperial March”:
https://fanlink.to/imperialmarch
New Zealand electronic music composer/producer Nigel Stanford, goes Offworld, in his remix of Celldweller’s “Last Night on Earth.” Known for his creativity through his elaborate music videos and legacy of experimental musical production, Nigel Stanford turns the alt/sci-fi epic of “Last Night on Earth” into an electro-ambient masterpiece. Combining heavily edited vocals with re-processed FX, new melodic hooks, pulsing synths and relaxing beats, Nigel Stanford showcases his unique style, taking listeners on a thrilling adventure for “life beyond the skies.”
“I’ve always loved space, and I really dig the themes in Celldweller’s tracks – they instantly create vivid Sci-Fi scenes in my head. For ‘Last Night on Earth’ I wanted to keep the feeling of the original, but change almost everything I could! I like to use different chords and sounds, and create an alternate soundtrack to Klayton’s space vision. I hope you enjoy it.” – Nigel Stanford
Purchase/ Stream:
https://fanlink.to/lastnightonearthremix
“…a hard rocking track that gets aggressive in parts, while delivering moody and hypnotic moments elsewhere.” – LoudWire.com
New York rock band The Plague deliver an intense remix of Circle of Dust’s “Embracing Entropy” (feat. Celldweller), as frontman and writer/producer David Adam Monroe re-vamps the entire track, more akin to a cover than a remix. Re-recording and re-producing all the primary instruments, from guitars and bass to drums and synths, the track transforms from an electronic opus to an aggressive onslaught.
The remix marks a milestone for The Plague as David Adam Monroe found inspiration from Celldweller while creating the Plague’s debut album Hope for the F.U.T.U.R.E. In a 2017 interview with 100 Percent Rock, David was asked to name one collaborator to do a song with, to which he replied “If I had to choose, Celldweller. He does a lot of production like me where he plays all the instruments and writes and records and mixes. His ability to fuze guitars and synths is uncanny and I love it.” While not technically a collaboration, The Plague’s remix of “Embracing Entropy” might just be the next best thing.
“When I got asked to do this remix, I was blown away. Celldweller and FiXT were a huge influence on me making ‘The Plague’ record, so it was incredible honor to work on this Circle of Dust remix. I loved a lot of the drum phrases in the original so I tried to preserve some of them, and of course slap on some fuzz guitars!” – The Plague
Purchase/ Stream:
https://fanlink.to/embracingentropyremix
U.K. synthwave artist/producer Michael Oakley joins the impressive list of remixers on Scandroid’s full-length remix album Dreams in Monochrome and takes the already retro-inspired track “Afterglow,” and pushes it even further into a classic 80s vibe. Developing the track into full-on synth-pop with 80s drums and retro dance grooves, Michael Oakley showcases his pristine production as a rising star in synthwave.
“Huge honour for me to remix Scandroid for his new remix album. I wanted to try to do something a bit more futuristic and keep it high energy as oppose to staying completely retro and making the track sound quintessentially Synthwave. This was without doubt the most fun project I’ve worked on in 2018!” – Michael Oakley
Purchase/ Stream:
https://fanlink.to/afterglowremix
Los Angeles based artist/producer Matt Lange ventures Offworld to remix Celldweller’s “The Great Divide,” turning the introspective, melancholy acoustic feeling of the original into a glitchy IDM track. Lange’s refined production abilities, honed from years of work with electronic legends such as BT, releases on Deadmau5’s label imprint, Mau5trap Recordings, composing gaming soundtracks for Counterstrike: Go and DOTA II, amongst others, are culminated in a breathtaking remix combining simplicity with sensational sound design. The track creates a ghostly atmosphere, haunted by Klayton’s echoing vocals, driven by emotion, smooth bass and head-bobbing drum fills.
Purchase/ Stream:
https://fanlink.to/thegreatdivideremix
Klayton assimilates an intense collection of 11 action-packed trailer music cues on Weapons of War. Encompassing driving percussive rhythms with intricate sound design and audio FX, Weapons of War, puts you in the middle of the action. From the mechanized sci-fi tension of “Battle Bots” to the tribal percussion and slashing assault of “Sword Fight,” to the bullet-dodging war zone of the title track “Weapons of War,” the album delivers a sonic assault. Get ready to drop these tracks in your next YouTube video game montage, workout playlist or blockbuster movie trailer.
Purchase / Stream:
https://fanlink.to/weaponsofwar
Klayton assimilates an intense collection of 11 action-packed trailer music cues on Weapons of War. Encompassing driving percussive rhythms with intricate sound design and audio FX, Weapons of War, puts you in the middle of the action. From the mechanized sci-fi tension of “Battle Bots” to the tribal percussion and slashing assault of “Sword Fight,” to the bullet-dodging war zone of the title track “Weapons of War,” the album delivers a sonic assault. Get ready to drop these tracks in your next YouTube video game montage, workout playlist or blockbuster movie trailer.
Pre-Order “Weapons of War”:
https://fanlink.to/weaponsofwar
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